Which coordinator was associated with the S.C.E.N.E. program before coordinating S.C.E.N.E. 88?

The coordinator associated with the S.C.E.N.E. program before coordinating S.C.E.N.E. 88 is indeed Joshua Smith. His involvement in the program highlights a continuity of leadership and vision within the initiative. Under his coordination, the program likely benefited from his experience and understanding of the mission and objectives, which are aimed at promoting art that fosters social change and community involvement. His contributions would have been pivotal in shaping the direction of the program prior to the 88th edition, ensuring that it stayed aligned with its core values and mission. This context illustrates the significance of leadership continuity in collaborative artistic endeavors.